The Ball Poem Summary in English by John Berryman

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The Ball Poem Summary in English by John Berryman

The Ball Poem by John Berryman About the Poet

John Berryman (1914-1972) was an American poet and scholar. He is best known for the Dream Songs (1969) which was a sequence of 385 poems. He won Pulitzer Prize for the dream songs. He also won the National book award.

Poet NameJohn Berryman
Born25 October 1914, McAlester, Oklahoma, United States
Died7 January 1972, Minneapolis, Minnesota, United States
EducationColumbia University (1936), Columbia College
AwardsBollingen Prize, National Book Award for Poetry
The Ball Poem Summary by John Berryman
The Ball Poem Summary by John Berryman

The Ball Poem Summary in English

This poem is about losing something that you love, and learning to grow up.

A little boy, who for the first time in his life, is learning what it is like to experience grief at the loss of a much beloved possession his ball. To us, the loss of a ball is of minor consequence, and our reaction to it is to say ‘Oithere are other balls’. But to a little boy, this is not so. A dime, another ball, is worthless. Money is external, it cannot buy back our love, nor replace the things that we love: the thing’s that really matter.

In this poem, the boy’s ball personifies his young days and happy innocence. In this world, people will take balls just as they will take away our innocence and force us to grow up. And once we lose this innocence, we can never get it back. Balls will be lost always, little boy, and no one buys a ball back.

This poem goes to show how, all throughout your life, you will be forced to do things that you don’t want to do; and you will lose or have to give up the things that you love. But, despite this, you have to learn to stand up – to be strong and get on with your life no matter how much it hurts inside. Because that is the only way you will survive; you have to learn to accept and let go and not cling onto something that you can never have.

The Ball Poem Summary Questions and Answers

1. What is the boy now, who has lost his ball,
What, what is he to do? I saw it go Merrily bouncing, down the street, and then
Merrily over – there it is in the water!

a. What is the boy doing?
Answer:
The boy is playing with the ball joyfully.

b. What has happened to the ball?
Answer:
The ball has fallen down into water.

c. What is the state of boy’s mind?
Answer:
The boy feels sad and helpless. He has lost his priceless possession.

Question 2.
No use to say ‘O there are other balls’:
What do the words in inverted commas mean? Why does the poet think that it is useless to give this suggestion to the boy?
Answer:
The word’s in the inverted commas try to suggest that the loss of the ball is not that significant. The poet thinks that it is useless to give this suggestion to the boy as the boy has lost his priceless possession.

Question 3.
’An ultimate shaking grief fixes the boy’
Who is the boy? What is his state of mind? Why is he in such a state of mind?
Answer:
The boy is playing with the ball. He is in the state of grief, sadness and disappointment. His ball has fallen down into the water which can’t be retrieved. could confide. She also believes that a paper to have more patience than people, so she decided to write and confide in a diary.

Question 4.
What made Mr Keesing allow Anne to talk in class?
Answer:
Anne justified her talkative nature every time she was punished by Mr. Keesing. On three occasions, as punishment, he gave her topics to write essays on. However, on each occasion he was impressed by the manner in which she presented her arguments. Finally, Mr. Keesing accepted the fact that Anne would always be that way. Hence, she was allowed to talk in class.

Question 5.
How did Anne finally stop Mr. Keesing from punishing her? Explain.
Answer:
Anne was assigned to write an essay for talking in the class. Her friend helped her to write the essay from beginning to end in verse. She believed Mr. Keesing was trying to play a joke on her but she would make the joke was on him.

She wrote a poem about a mother duck and a father swan with three baby ducklings who were bitten to death by the father because they quacked too much. Luckily, Mr. Keesing took the joke in the right way. He allowed Anne to talk in the class and did not give her any extra homework.

Question 6.
Why was Anne’s teacher annoyed with her? How was she able to bring about a change in his attitude towards her?
Answer:
Mr. Keesing who taught maths to Anne was annoyed with her because she talked too much. After several warnings, he assigned her extra homework. She tried to prove that talking was a student’s trait and she would do her best to keep it under . control. Mr. Keesing had a hearty laugh at her arguments and assigned her a second essay. But in her final essay she succeeded to convince Mr. Keesing. She wrote a poem about a mother duck and a father swan with three baby ducklings who were bitten to death by the father because they quacked too much. Luckily, Mr. Keesing took the joke in the right way. He allowed Anne to talk in the class and did not give her any extra homework.

Question 7.
How did Mr. Keesing assign Anne extra homework, an essay on “A Chatterbox”?
How did she justify her being a chatterbox?
Answer:
Mr. Keesing who taught maths to Anne was annoyed with her because she talked too much. After several warnings, he assigned her extra homework. She tried to prove that talking was a student’s trait and she would do her best to keep it under . control. Mr. Keesing had a hearty laugh at her arguments and assigned her a second essay. But in her final essay she succeeded to convince Mr. Keesing. She wrote a poem about a mother duck and a father swan with three baby ducklings who were bitten to death by the father because they quacked too much. Luckily, Mr. Keesing took the joke in the right way. He allowed Anne to talk in the class and did not give her any extra homework.

The Merchant of Venice Act 1 Scene 2 Summary Workbook Answers

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The Merchant of Venice Act 1 Scene 2 Summary Workbook Answers

The Merchant of Venice Act 1 Scene 2 Summary

The location of the scene is now at Belmont. From the masculine commercial world of Venice we are taken to a romantic, feminine world of Belmont. The plot unfolds through the conversation of Portia and Nerissa. Like Antonio, Portia is also sad; but there is a reason for her sadness. At the time of death, her father had willed that Portia’s husband should be chosen by a lottery. The suitor has to choose one of the three caskets displayed.

They are made of gold, silver and lead with cryptic inscriptions on each. The one who chooses the right casket with the portrait of Portia will win her hand. The person who chooses the wrong casket should take an oath never to marry or reveal what is written on the casket.

There is an interesting conversation between the two ladies regarding the suitors. Portia wittily find out faults within each suitor who has come to try their luck. There is a Neopolitan prince who only talks about horses, a Palatine who does nothing but frown, Monsieur Le Bon has no character of his own, someone is a drunkard, the other one is strangely dressed and so on. Fortunately, for Portia all of them decide to leave without taking any risk. The lady is highly relieved. The real reason is that she is attracted to Bassanio whom she had met earlier on some occasion.

Nerissa informs Portia that ‘a Venetian, scholar and soldier’ has arrived. Portia remembers the man as ‘the best deserving of a fair lady’. This kindles the curiosity of the audience to meet the young man who has captured the fair lady’s imagination.

The Merchant of Venice Act 1 Scene 2 Summary Word Meanings

  1. troth – faith
  2. aweary – tired
  3. aught – anything
  4. surfeit – having too much
  5. superfluity – state of having too much
  6. divine – preacher
  7. madness (the youth) – high spirits of the youth
  8. skip o’er – jump over
  9. meshes – nets
  10. cripple – hurt
  11. reasoning – wise talk
  12. curbed – restrained
  13. virtuous – having good qualities like wisdom
  14. inspirations – divine guidance
  15. over-name – call out their names
  16. Neapolitan – from Naples
  17. colt – am inexperienced young man
  18. appropriation – qualification
  19. county palatine – count of palatinate
  20. frown – have an angry or disgusted expression
  21. the weeping philosopher – Heraclitus of Ephesus who went to the mountains as he was disgusted by human stupidity
  22. death’s-head – skull
  23. throstle – thrush, a song bird
  24. capering – jumping or leaping
  25. suited – dressed
  26. doublet – jacket
  27. round hose – breeches
  28. a box of the ear – a blow on the ear
  29. vilely – badly, fell – happen
  30. make shift – manage
  31. Rhenish wine – white wine made in Rhine valley
  32. contrary – wrong
  33. imposition – will
  34. Sibylla – an old woman
  35. wooers – suitors
  36. fore-runner – messenger
  37. shrive – hear my sins and grant forgiveness.

The Merchant of Venice Act 1 Scene 2 Summary Questions and Answers

1. Nerissa :
You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are :
and yet, for aught I see, they
are as sick that surfeit with too much as they that starve with
nothing. It is no mean happiness therefore, to be seated in the mean :
superfluity comes sooner by white hairs, but competency lives longer.

Question 1.
Whom Nerissa is addressing as Madam? Where are the characters? To what comment made by the other person does the speaker give this reply?
Answer:
Nerissa is addressing Portia, as Madam, one of the main characters of the play. The characters are now in Belmont, in a room in Portia’s house. The speaker gave this reply to the comment made by Portia that her little body is tired with this great world.

Question 2.
According to Nerissa, why is the body of the other person ‘aweary of this great world’? What is Nerissa’s relationship with the other person?
Answer:
According to Nerissa, Portia is doubtful about her future because of strange provisions of her father’s will. Nerissa is Portia’s maid but she is her friend and confidante too. She says some people are tired of their extreme poverty while others due to too much of wealth.

Question 3.
Earlier, in what way did Nerissa try to cheer Portia? What was Portia’s reaction to what Nerissa had said?
Answer:
When Portia says that she is weary, Nerissa comforts Portia by saying that she would have been really weary, if her miseries were in the same abundance as her fortunes. People who suffer from too much tiredness emanating out of boredom are just as those who suffer from starvation.

It is better to be placed in the middle. Those who have too much, age sooner. Those who have just enough, live longer. But Portia is placed in the middle, so she should not feel sad. Portia reacted by saying that they were good words. She compliments Nerissa by saying that the speech was well-spoken.

Question 4.
Where does happiness lie, according to the extract? What opinion have you formed of Nerissa, from this extract?
Answer:
Happiness is ‘seated in the mean’. It means, happiness is placed in the middle; between poverty and riches. Although Nerissa is a maid, she has a lot of wisdom. She is a philosopher and this is the reason, Portia considers her as a friend and close companion.

Question 5.
Give the meaning of ‘they are as sick as that surfeit with so much’, and ‘superfluity comes sooner by white hairs, but competency lives longer’.
Answer:
The expressions mean that the people with too much money and good fortune are as unhappy as the ones who are poor. In fact people having too much of everything age faster but who have just enough live longer.

Question 6.
In the light of what happens later, why do you think, the ‘Madam’ is unhappy?
Answer:
Portia is unhappy because her father had willed that her marriage should take place by lottery. Portia, being independent personality would like to make her own choices. She is attracted to Bassanio. She feels restricted and anxious because her fate depends on who chooses the right casket.

2. Portia :
If to do were as easy as to know what were good to do, chapels had
been churches, and poor men’s cottages princes’ palaces. It is a good
divine that follows his own instructions : I can easier teach twenty
what were good to be done, than be one of the to follow mine own
teaching. The brain may devise laws for the blood, but a hot temper
leaps o’er a cold decree: such a hare is madness (the youth), to skip
o’er the meshes of good counsel (the cripple).But this reasoning is not
in the fashion to choose me a husband. O me, the word ‘choose’. I
may neither choose who I would nor refuse who I dislike; so is the
will of a living daughter curbed by the will of a dead father.

Question 1.
Where are Portia and Nerissa at this moment? Why are they there?
Answer:
Portia and Nerissa are in a room of Portia’s house at Belmont. They are there waiting for the various suitors to make their choice of the caskets.

Question 2.
Give the meaning of ‘If to do were as easy as to know what were good to do, chapels had been churches, and poor men’s cottages princes’ palaces’. Explain the allusion to the ‘good divine’.
Answer:
The lines mean that if doing good is as easy to know what is good. The chapels would be churches and poor men’s house will be like royal palaces. If the priest is able to follow what he preaches, he is a good preacher. This alludes to the difficulty in following instructions, even if it is good.

Question 3.
Why does Portia say that she finds it difficult to follow than to preach?
Answer:
Portia wants to follow her heart. She doesn’t have any desire to marry according to what her father has mentioned in the will. She says it is easy to give advice to twenty people as compared to follow her own teachings. The brain may make laws for the blood but the heat of the blood overpowers the dictates of such dry laws.

Question 4.
What does the impulse of youth makes one do? Explain the comparison here.
Answer:
The madness of youth can leap across good advice without paying any heed to it. They are like a hare avoiding the trap of good advice of experienced people.

Question 5.
Later the speaker says. ‘O me, the word choose’. Why is it said in such anguish?
Answer:
Portia is a spirited woman brought up in such a way that she is used to make her own decisions. When it comes to the most important decision of her life of choosing her husband, she finds herself restricted by her father’s will. She has to depend on lottery to choose her husband and this makes her unhappy.

Question 6.
Immediately after this extract, what reasons does Nerissa give to Portia to justify ‘the will of a dead father’? Do you think that the justification proved correct? Give reasons for your answer.
Or
What answer does Nerissa give in reply to these words?
Answer:
Nerissa tells Portia that she should not despair of her father’s will. He was a pious and wise man. Moreover dying people get divine inspiration which makes them do what is right, so Portia will get the right person who truly loves her. This actually proved true as Bassanio who is a true lover chooses the right caskets while others due to their self-love and vanity fail to win her.

Question 7.
State in your own words what Portia means by ‘the will of a living daughter curbed by the will of a dead father’.
Answer:
Portia means that her dead father’s will is taking away her liberty to choose a husband on her own. Her wishes in life are being controlled by the wishes of a dead father.
‘the will of a dead father’.

Question 8.
What does she say? From what she says, what opinion do you form of her?
Answer:
Portia feels that even if she lives like Sybil who has been granted eternal life, she prefers to die a virgin like Diana. There is no option for her but to abide by her father’s will, if at all she has to marry. One hope is that, the suitors are very reasonable and are planning to go back as they don’t want to abide by the conditions of the will. This shows that Portia is an intelligent lady who has a mind of her own. She has not liked any of the suitors and is glad at their departure. She is willing to wait for a man who’ll be after her own heart.

3. Nerissa :
How say you by the French lord, Monsieur Le Bon?
Portia : God made him, and therefore let him pass for a man. In truth, I know
it is a sin to be mocker; but, he! why, he hath a horse better than
the Neapolitan’s, a better bad habit of frowning than the Count
Palatine; he is every man in no man; if a throstle sing, he falls
straight a-capering; he will fence with his own shadow. If I should
marry him, I should marry twenty husbands : if he would despise
me, I would forgive him, for if he loves me to madness, I shall never
requite him.

Question 1.
Bring out the context of the passage.
Answer:
At Belmont, Portia and Nerissa were discussing the suitors who have come to marry Portia by the lottery of caskets. Portia is weary as she doesn’t like her father’s stipulation at all. In order to entertain her, Nerissa asks about each of the suitors and Portia wittily describes each one of them much of our entertainment. Here, they are talking about the French Lord, Le Bon.

Question 2.
Explain, ‘God made him and therefore let him pass for a man.’
Answer:
Portia is making fun of Le Bon by saying that since God made him; they have to consider him a man. Otherwise, he is a combination of all men, and no individuality to boast about.

Question 3.
In what way has Portia described Neapolitan prince & Count-Palatine?
Answer:
According to Portia, the Neapolitan prince is as immature and rash as a wild young horse. He talks about nothing but horses and considers it a great qualification that he can shoe his own horse. She feels that his mother must have had a love affair with a blacksmith. Count Palatine, on the other hand, does nothing but frown as though to say he cares little whether Portia accepts him or not. He hears good stories without a smile, and will prove a philosopher before he is old. Since he is such a gloomy man, Portia would rather marry a skeleton with a bone in its mouth.

Question 4.
Why does she say, ‘If I should marry him, I should marry twenty husbands?
Answer:
Portia feels that Le Bon is more attached to the horse than the Neapolitan frown more than Count Palatine. He has every man’s fault, but is not a man at all. Marrying him will be like marrying twenty different men.

Question 5.
What does Portia say about Falconbridge?
Answer:
Portia says that Falconbridge, the young Baron does not understand her just like she doesn’t understand him. He doesn’t know any language and his grasp of English is very poor. He is a fine figure of a man but who can hold a conversation by means of signs. He dresses incongruously in different styles, and borrows manners from everywhere.

4. Portia :
Therefore, for fear of the worst, I pray thee, set a deep glass of
Rhenish wine on the contrary casket, for, if the devil be within and
that temptation with-out, I know he will choose it. I will do any
thing, Nerissa, ere I will be married to a sponge.

Question 1.
In what context does Portia speak these words?
Answer:
Portia and Nerissa are talking about the suitors who have come to seek the Portia’s hand in marriage. When Portia is asked whether she has any preference for any one of these, she tells Nerissa to overname them and she’ll inform her about her opinion. From the description, Nerissa can make her own judgment. They are now talking about a young German, the Duke of Saxony’s nephew.

Question 2.
How does Portia describe the character talked about in the extract?
Answer:
Portia says that the young German does not have a good disposition. In the morning when he is sober he is bad but in the noon when he is drunk, he becomes worse. When he is at his best he is a miserable type of man, and when he is at his worst he is like a beast.

Question 3.
Why does she ask Nerissa to keep the wine on the wrong casket?
Answer:
Portia does not want to marry this young drunkard, and tells Nerissa to keep the Rhenish wine on the top of the wrong casket. So that even if the devil is inside the casket, he would not be able to resist the temptation to drink and he’ll choose that casket.

Question 4.
How does Nerissa comfort Portia just after this?
Answer:
Nerissa says that Portia need not worry if she has not liked any of the suitors as all these suitors have informed their desire to go back without choosing the caskets for fear of wrong choice as no one is ready to remain unmarried according to the condition put forward. They are ready to try their luck if there is another way other than choosing the caskets.

Question 5.
Portia talks about Sybilla and Diana, soon after this. Why does she do so? Which young man is talked about at the end of the scene?
Answer:
Portia half playfully and half seriously says that ultimately none of the suitors will agree to the lottery of the caskets and she’ll have to remain an old spinster like Sybil who got eternal life but not youth or Diana, the moon Goddess, who chose to remain unmarried. Bassanio, who visited Belmont at the time of Portia’s father, is talked about at the end of the scene.

The Squirrel Summary in English by Mildred Bowers Armstrong

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The Squirrel Summary in English by Mildred Bowers Armstrong

The Squirrel by Mildred Bowers Armstrong About the Poet

Poet NameMildred Bowers Armstrong
BornNovember 11, 1930
DiedFebruary 20, 2017 (aged 86)
Nationality American
AwardsNational Medal of Science (1990), IEEE Founders Medal (2004) More
The Squirrel Summary by Mildred Bowers Armstrong
The Squirrel Summary by Mildred Bowers Armstrong

The Squirrel Summary in English

Squirrel is a little fun-loving creature. It sits on a tree and loves eating nuts. It has a tail with a curve at the tip. The tail looks like a question mark. Its loose skin looks like a gray overcoat. It likes to play. When a person runs after it, it goes in the opposite direction.

The Squirrel Summary in Hindi

गिलहरी छोटी-सी मनोरंजन पसन्द जीव है। वह वृक्ष पर रहती है और अखरोट खाना पसन्द करती है। उसकी पूँछ सिरे पर मुड़ी रहती। है। यह पूँछ एक प्रश्नवाचक चिन्ह की भाँति दिखती है। इसकी ढीली त्वचा मानो इसका भूरे रंग का ओवरकोट है वह खेलना पसंद करती है। जब कोई व्यक्ति इसके पीछे भागता है तब वह विपरीत दिशा में भागने लगती है।

How to Tell Wild Animals Summary in English by Carolyn Wells

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How to Tell Wild Animals Summary in English by Carolyn Wells

How to Tell Wild Animals by Carolyn Wells About the Poet

Carolyn Wells (1862-1942) was an American writer and poet born in Rahway, New Jersey. She remembered largely for her popular mysteries, children’s books, and humorous verse. Among the most famous of her mystery novels were the Fleming Stone Detective Stories. Her books include A Nonsense Anthology.

Poet NameCarolyn Wells
Born18 June 1862, United States
Died26 March 1942, New York, New York, United States
NationalityAmerican
MoviesOur Mutual Girl, The Countess Charming, The Woman Next Door, Dearie
How to Tell Wild Animals Summary by Carolyn Wells
How to Tell Wild Animals Summary by Carolyn Wells

How to Tell Wild Animals Summary in English

This humorous poem suggests some dangerous ways to identify wild animals. The poet says that if the roar of the animal is so fearsome that you feel like you are dying then you can be sure that you are near a Asian Lion, What to do if you see a wild animal with black stripes on yellow body. If he starts eating you then you can be sure that it is The Bengal Tiger. If you happen to see an animal with spots, wait until he leaps on you. Because no matter how hard you cry, it will continue pouncing on you. So, be careful and don’t allow it to leap on you.

Bears can give a really tight hug. Although a friendly hug is referred to as bear hug. But if a real bear will hug you, then it may not feel friendly at all. Some animals are famous for their weird behaviour. For example, a laughing hyena’s voice resembles human’s laughing sound. A crocodile is said to shed tears while eating its prey. So don’t wait for a hyena to laugh or for a crocodile to weep. A chameleon or garden lizard is an expert at camouflage. If you are unable to see a thing on tree then chances are chameleon is sitting there. As it changes colour as per its surrounding it is difficult to see. This capacity of camouflage helps the lizard in saving it from hunters.

How to Tell Wild Animals Summary Questions and Answers

1. If ever you should go by chance
To jungles in the east;
And if there should to you advance
A large and tawny beast,
If he roars at you as you’re dyin’
You’ll know it is the Asian Lion.

a. Where is the Asian Lion found?
Answer:
The Asian Lion is found in the jungles of the east.

b. What are its characteristic qualities which enable you to identify it?
Answer:
It is a large and yellowish-brown colour animal, it roars loudly.

c. What effect does it leave on you?
Answer:
its roar makes us scared. we feel as if We’ll die.

Question 2.
How does the poet describe the hyena and a crocodile?
Answer:
The poet describes the crocodile and the hyena humourously. The crocodile has tears in his eyes when it comes near its victim. The hyena has happy smiles on its face. But this is not so. The hyena’s face is made like this.

Question 3.
How can you distinguish between a tiger and a leopard?
Answer:
A tiger has a yellow coat. It has black stripes on its body. A leopard doesn’t have any stripes. It has spots on its body. A tiger kills only when it is hungry. A leopard can kill for the pleasure of killing.

A Tiger in the Zoo Summary in English by Leslie Norris

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A Tiger in the Zoo Summary in English by Leslie Norris

A Tiger in the Zoo by Leslie Norris About the Poet

George Leslie Norris (1921-2006) was a prize winning Welsh poet and short story writer. He is considered as most important Welsh writer of the post war period and his literary works have won many prizes. His famous works are Finding Gold, The loud winder, phoenix living poets series: Ransoms, etc.

Poet NameLeslie Norris
Born21 May 1921, Merthyr Tydfil, United Kingdom
Died6 April 2006, Provo, Utah, United States
ParentsGeorge, Mary Jane Norris
SpouseCatherine Morgan
NationalityWelsh, British
A Tiger in the Zoo Summary by Leslie Norris
A Tiger in the Zoo Summary by Leslie Norris

A Tiger in the Zoo Summary in English

The poet has compared the activities of a tiger in the zoo with the tiger in its natural habitat. The Tiger moves slowly and quietly inside the cage in his very bright stripes. He takes a few steps in his cage on pads of’velvet quiet and humbly snarled in his quiet rage. The Tiger should be waiting somewhere secretly in the shadow, sliding through the long grass of the wild, near the water-hole in a forest for wild animal’s where the plump dear pass.

The Tiger should be showing his teeth and making angry noises around houses at the edge of the jungle showing his white fangs, his claws and terrorising the village. But now the Tiger is locked up in a concrete cell and all his strength is kept behind bars. He spends his time stalking the length of his cage and ignoring all visitors. The voice of the patrolling cars is the last voice he hears every night and that is then he stares with his brilliant eyes at the brilliant stars above.

A Tiger in the Zoo Summary Questions and Answers

1. He should he snarling around houses
At the jungle’s edge,
Baring his white fangs, his claws,
Terrorising the village!

a. Who is ‘he’?
Answer:
‘He’ here refers to the tiger.

b. Where does he snarl around?
Answer:
He snarls around houses.

c. Why does he do it?
Answer:
It is his natural movement.

d. What effect does it have on the whole village?
Answer:
It has a terrorising effect on the whole village.

2. Stalking the length of his cage,
Ignoring visitors.

a. What is the tiger doing? Why is he ignoring the visitors?
Answer:
The tiger is moving inside his cage. He is ignoring visitors because he does not like to be confined in the cage. He would rather wander about in his natural habitat, the jungle.

3. On pads of velvet quiet,
In his quiet rage.

a. Who is referred to here? Why does he express his anger quietly?
Answer:
A tiger caged in the zoo is referred to here. He expresse’s his anger quietly because he is in the confines of his cage, restricted and quite helpless and he is unable to do anything about it.